MA Music student Sara writes about her experience making the most of the Birmingham ElectroAcoustic Sound Theatre (BEAST) and the other music facilities at the University of Birmingham.
As a music student at the University of Birmingham, I’ve had the chance to explore and make the most of the amazing music facilities here! From the BEAST system to the recording studios, these resources have played a huge role in my studies and projects. Here’s how I’ve used them, what I’ve learned, and how I’ve been supported throughout my journey.
BEAST System: A Game-Changer for Electroacoustic Music
One of the standout features at Birmingham is the BEAST (Birmingham ElectroAcoustic Sound Theatre) system. As an aspiring composer of electroacoustic music, I’ve been fortunate enough to have access to this cutting-edge setup. It allows me to experiment with surround sound and spatial audio, which is vital for my projects.
I’ve been in the BEAST in various ways, especially in live performances and installations, but also workshops, which play a huge roll in my learning experience at Birmingham. For instance, during my electroacoustic works based on religious scriptures, I’ve been able to listen to my compositions a few times in that system, which allowed me to notice some mixing techniques that I wasn’t being too careful about.
A specific example is that when you work in the studios —very dry places—, you tend to use too much reverb, but once you play your pieces in a real space, it sounds too wet and distant. Thanks to my workshops in the BEAST, I’m learning how to be more careful with this kind of details. The system allows me to push my creativity and take my compositions to the next level.
Learning and Growing as an Artist
As I was saying above, using the BEAST system has taught me a lot about the technical side of sound composition. I’ve learned how to manipulate sound in space, create immersive soundscapes, and develop a deeper understanding of how sound interacts with the environment. These experiences have expanded my knowledge and skill set. This has made me more confident in my ability to work with complex sound designs and bigger layouts.
Aside from the BEAST system, the University’s music facilities have also helped me grow as a composer and performer. The studios are equipped with top-notch recording gear, which has been invaluable for my composition work. Whether I’m recording sounds for my projects or rehearsing with my ensemble, these spaces offer everything I need to create high-quality music. Also, whatever you need — microphones, interfaces, weird recording devices—, they have it and will let you use it, even teach you how to do it.
One more thing I want to mention is the possibility of meeting established artist, as well as new electroacoustic composers in the world, thanks to the concerts, live performances and workshops that take place in the BEAST. There’s nothing more formative than getting to know people who you can learn things from.
Support and Guidance from the Team
One of the best parts about using these facilities is the support I’ve received. The staff at the University are incredibly helpful and always ready to offer guidance. Whether it’s showing me how to use a specific piece of equipment or helping me troubleshoot an issue, they’re always there when I need them. The technicians are knowledgeable, friendly, and passionate about helping students make the most of the resources available.
Additionally, I’ve had access to tutorials and workshops that have helped me get familiar with the technology and software I use in my work. These sessions have not only improved my technical abilities but have also given me the confidence to experiment and explore new ideas.
Conclusion
Overall, my experience using the music facilities at Birmingham has been nothing short of amazing. The BEAST system and the recording studios have been essential to my growth as a composer and performer. I’ve learned so much from these resources and have been supported every step of the way. Whether it’s through technical assistance, workshops, or just having access to high-quality equipment, I feel fortunate to be a student here.
I also want to mention the other facilities that I use, these being the practice rooms in the Frankland Building. Anytime I want or need to practice some piano or organ, I can easily book a room and stay there for as long as I decide. I have to mention that the practice rooms are beautiful, comfortable, all equipped with radiators and routing to the recording studios in case you want a fancier recording of yourself. So it’s always nice to get inside a PR and practice.
If you’re considering studying a postgraduate in music at the University of Birmingham, know that you’ll have access to some of the best facilities and support available. It’s an environment where you can truly thrive as an artist and meet incredible and talented people.